筑波音響 / TSUKUBA ONKYO
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Replies go out on weekdays and may take a few days — this is a one-person operation, so thank you for your patience. Including the following makes things faster:
It is almost always one of these three.
Some hosts only scan for plug-ins at launch. Quit completely and open it again. In Reaper and Bitwig you also need to run “rescan plug-ins” explicitly from the settings.
This is the most common cause. AD-1 has no Apple Developer ID signature, so macOS marks the downloaded files as quarantined, and your DAW will not load them as they are. If you copied the bundles by hand instead of using install.command, the flag is still there.
You can check whether the flag is still set with the following. No output means it has been cleared:
xattr -r -p com.apple.quarantine ~/Library/Audio/Plug-Ins/CLAP/"Akadem Drive AD-1.clap"
How to clear it, and what install.command does, are collected on the install page. The reason there is no signature is there too.
Each format has exactly one place it can live.
~/Library/Audio/Plug-Ins/Components/ Audio Unit
~/Library/Audio/Plug-Ins/CLAP/ CLAP
~/Library is hidden in the Finder. Open the Go menu and hold option, and Library appears.
Audio Units are validated separately by macOS. Run this in Terminal and it will tell you why:
auval -v aufx Ad01 Tsuk
If it ends with AU VALIDATION SUCCEEDED, the plug-in itself is fine. In that case, rescan manually from Logic's Plug-in Manager.
If it says didn't find the component, macOS has not registered it yet. Run the following and wait about a minute:
killall -9 AudioComponentRegistrar
Validation prints three warnings along the way. None of them affect operation: a recommended property is not implemented, preset names are not retained in class data, and a MIDI remark — the third comes from the wrapper that packages the plug-in as an AU, which declares it unconditionally. AD-1 does not accept MIDI.
Pro Tools is not supported. It reads only its own AAX format, and there is no AAX build of AD-1. Developing for AAX requires a contract with Avid and code signing, which is not something a free product can carry.
Check whether MIX is somewhere in the middle. Dry and processed are polarity-matched, so nothing cancels — but turning MIX down does reduce how much processing you hear.
Look at the LOCK lamp on the panel. Green is normal. If it has gone out, the circuit solution is not converging. Backing DRIVE off slightly, or raising SOLVER, fixes it. If it goes out at a setting you use routinely, please send us that setting — that is a bug.
That is aliasing. Raise SOLVER to ×4 or ×8; the default is ×4. On the OP-AMP circuit — and only there — ×8 makes a clear difference.
During a bounce, SOLVER rises automatically to at least ×4 and the iteration limit comes off. The only thing that changes is the amount of aliasing — neither level nor the amount of distortion moves. This is intended; see the manual for detail.
Turn SOLVER down to ×2. Measured at 48 kHz on Apple Silicon, one instance runs at 27× real time at ×2, 15× at ×4 and 8× at ×8 (higher is lighter). Bounces raise it to at least ×4 automatically, so leaving it at ×2 while you work is fine.
Double-click uninstall.command in the download. To do it by hand, just delete what is at the two paths above. Your settings live inside your host's project files, so nothing is left behind on the plug-in side.
| macOS | 11 or later |
|---|---|
| CPU | Apple Silicon / Intel |
| Formats | Audio Unit (v2) / CLAP There is no VST3 build — why |
| Signing | ad-hoc only (no Developer ID signature, not notarised) |
| Price | Free, full version |